Michael Netzer: RABBLE-ROUSER

Networkings

michael@michaelnetzer.com (Michael Netzer) — Sun, 11 Jun 2006 20:09:00 +0000

A few new items of possible interest within our nearby circle of web acquaintances:

20th Century Danny Boy, from ACAB's Daniel best, is shaping up very nicely with excellent new content. One is an entry telling of a Tricky Situation he encountered at the Mega Toy Swap Meet in Australia - and another has a few good words to say about Norm Breyfogle's Forum, alongside a jolting reminder that Flaming Sword Forums has inexplicably returned to life over the weekend (barely naked, however as the forum design template appears to have vanished and a default template automatically taken its place).

This is a good opportunity to note the relative difficulty Rabble-Rouser experiences under the operational servitude of Google's Blogger. Though greatly appreciated as a free blogging module, Blogger suffers its share of server difficulties, which at times adversely effects personal time constraints any web orator might be working under. I've looked into an alternative solution and have discovered that Silver Bullet Hosting, where our site complex resides, actually offers a wide range of content management software with server-side functionality, as part of the web-hosting package. The software being presently considered to replace Blogger, offers much flexibility and efficiency, making it uncertain the site complex needs to remain defined by the current blogging limitations it operates under. Perhaps this means yet another entirely new web site and forum, with a new thrust and look, coming soon to michaelnetzer.com.

Another item at 20th Century Danny Boy is a compelling entry on Degrees and Censorship. touching on the potential ramifications of an incident such as the one Taki Soma has suffered. The entry brandishes the controversial artwork used to illustrate the Open Letter to Chris Staros, alongside the censored version of it, which have since been removed from our server.

Elayne Riggs' Pen-Elayne on the Web, notes the volume of entries at Rabble-Rouser regarding the Brownstein-Soma story. It appears that even she may find it difficult to keep track of the count. Elayne also reminds me that I've promised her to tell, in an upcoming entry, of my recent journey across the Judea Desert. Hoping for the opportunity soon.

Guy LeCharles Gonzalez' Comic Book Commetary has moved and is undergoing major structural and facial revision. Much good fortune on the road ahead to building this compelling web presence.

Chris Allen mentions a lengthy but fruitful discussion we recently conducted at BlogAtNewwsarama, where though we didn't come to an agreement, no furniture was ultimately broken in the process. Chris is a very gifted writer and reviewer in the comics community, appearing primarily at Comic Book Galaxy, hosted by Alan David Doane, who was recently discussed here in an item where some furniture did appear to suffer some slight breakage. This reminds me about a profile I've had in mind to do on Chris Allen and his commentary, which may be a touch overdue at our site complex. Much to do and such little time.

Tim's Blog Fest, from my Detroit high-school years friend, Tim Gasco, is on a drawing spree. Last August Tim told of our renewing contact and how that has inspired him to more actively seek his own personal ambitions and return to drawing. I've recently promised him that I intend to discuss the promising new artwork he's producing. Though the time-constraints I'm under now have made this difficult, it hasn't been forgotten. Coming soon.

A gratuitous shout out to Chris Williams, the talented webmaster of excellent visual sensitivity at Zeus Comics, located at the Turtle Creek Village complex in Dallas, Texas. Chris contacted me with an observation of a typographical error on a recent entry at Rabble-Rouser, which was promptly corrected. The web site he administers for Zeus Comics reveals a thriving enterprise that has earned numerous awards and hosts a wide range of merchandise and activities, including the Cape 2 Dallas Convention; Comics; Toys & Statues; Magazines and TPBs; DVDs as well as a thriving forum... and much more. Well worth an electronic visit, or even a personal one for those in the Dallas region. Thank you Chris, for the heads up and the warm sentiment expressed for Rabble-Rouser.

The following items are not current, nor even remotely recent but they've fallen between the cracks of my last absence from web activity - and have not yet been reported here.

Warren Ellis' web site comment section from March 23, 06, hosts a comment about an article at Flaming Sword relating positively to the more liberal stand on the issue of abortion. The source link of this comment led me to Total Eclipse, carrying an Israeli server hosting domain, total.eclipse.co.il. Shay, the commenter and man behind the Israeli site, appears to have a keen eye for good art and culture, marvelously adept with cutting edge web-development tools and a prolific writer providing a rather sophisticated venue for contemporary thought. Directly in my backyard, imagine. Well worth a look.

Greg Morrow at Howling Curmudgeons, said last January 9th, 06 that I am "just as flipping insane as Neal Adams". Well, I've already commented on this well founded version of the Theory of Relativity, here. But I did manage to pay a visit then to HC - and even participated in the non-flipping sane discussions he engaged in with his own readers on the item.

Someone, presently anonymous to me, excerpted a quote on My Comics Blog, last August 28th, 05, about The New Comic Book of Life's Why We Care section. The blogger ceased to produce any new entries there soon afterwards, following a curiously brief blogging history of 16 entire days and an equal number of entries.

The David S. Wyman Institute for Holocaust Studies places me on its Arts and Letters Council, alongside Will Eisner, David Brenner, Judy Feiffer, Janis Ian, Yaakov Kirshen, Adam Kubert, Joe Kubert, Michael Moorcock, Archie Rand and Lore Segal, amongst a host of other notables in the cultural arts community. I do recall being asked to join the council by Rafael Medoff Ph.D., Director of the Institute (and accepting), several years ago but this is the first I've noticed the institute's web site. I'm left wondering though, if all those in the above list will also be considered crackpots now?

On Behalf of the Mid-Ohio Con Organization

michael@michaelnetzer.com (Michael Netzer) — Sun, 11 Jun 2006 15:19:00 +0000

It has been brought to my attention that the controversial artwork originally appearing here at Rabble-Rouser, depicting the assault on Taki Soma as reported by her, unjustly compromised the good reputation of the organization which hosted the Mid-Ohio Convention.

Though the use of the convention's name on said art (which is no longer viewable on Rabble-Rouser) was intended as a point of reference, as it was also used by mainstream industry journalists, dubbing the incident Mid-Ohio-Gate - I would hope the convention organizers will accept this expression of regret for any misrepresentation of their name which could've been construed.

The Mid-Ohio Convention itself, a fine institution promoting the comics medium in the Mid-West Buckeye state (home of the world renowned Cedar Point Amusement Park and birthplace of no less than 7 United States Presidents), was not the scene of the heretofore reported assault. The Mid-Ohio Convention organizers are no more responsible for this association with the incident, than the management of the Watergate Hotel were for the one which in reality did take place on the famed premises under their jurisdiction, denoting a mass institutional cover-up of criminal activity and the hierarchical protection of top executive personnel.

In the Good Company of Crackpots

michael@michaelnetzer.com (Michael Netzer) — Fri, 09 Jun 2006 05:32:00 +0000

Guy LeCharles Gonzalez of Buzzscope, who announced this week the results of his investigation into Ronee Garcia Bourgeois’ reporting of the Brownstein/Soma incident, also participates in a blog, Comic Book Commentary. In an announcement he made there yesterday on the release of his statement, he notes the muted and somewhat chastened response it received from industry press outlets:

Our two most vocal critics, Heidi MacDonald and Graeme MacMillan, both linked to it without much comment, though the former conveniently condenses it to perhaps its least important point, while the latter curiously links to Heidi's earlier misleading screed that attempted to discredit Buzzscope while not referencing his own similarly harsh commentary on the situation. I suspect The Comics Journal's recent update might have come as a bit of a surprise to both of them, realizing the case wasn't anywhere near as closed as they apparently thought. Imagine that?

A sobering observation indeed, and perhaps a good cause for reflection on the manner in which the incident has been covered in the comics media. Not only by Heidi MacDonald and Graeme MacMillan, however, but by other pivotal journalists and creators as well. The likes of Matt Brady, Rich Johnston, Joe Quesada and Jim Valentino, amongst some others, who rushed to defend the accused in the incident, and did so at the expense of the victimized woman whose primary concern is that a more tragic future occurrence is prevented. The subliminal condemnation of Taki Soma in the unbalanced statements and commentaries they gave, considerably contributed to misleading public opinion, diminishing from the traumatic results of an assault on a presumably innocent woman amongst us, who continues to suffer the tragedy.

On a relevancy, Mr. Gonzalez notes the efforts put forth here at Rabble-Rouser to help change this perception:

Meanwhile, Michael Netzer is on a one-man crusade to defend Taki for his [not unreasonable] perception of the unbalanced coverage the story has received ever since Brownstein was outed by the Journal as her alleged attacker. He's particularly tough on Chris Staros and Heidi MacDonald. Apparently the guy has a reputation for being something of a crackpot, but his postings on this particular subject have been mostly reasonable, especially compared to the hysterical and/or hypocritical posts of some other uninformed and/or clearly biased spectators. Of course, in comics, being considered a crackpot is pretty good company to be in, joining the certifiable likes of Alan Moore, Grant Morrison and Frank Miller, so more power to the guy.

Though I have not always enjoyed the reputation for being something of a crackpot (at least not for the first several years of my comics career in the mid 1970's, having little cognizance of the arguably sane profession I was emerging into), I must admit that I've grown rather fond of having it. I do, nevertheless wonder at times, what exactly it is that I have earned this reputation for?

Could it be perhaps, the not completely unintentional perception I give the comics community of a prophetic role I envision (which has withstood the test of time, when considering the scope of the comics industry in the mid 1970's, at the onset of this journey), not only for myself but also for the comic book creators and the Superhero mythology within the world of pop culture? Would it perchance be the flamboyant appeal of a self-reluctant and publicly-cast comics messiah working diligently (and with noted success in the meantime) to garner support and enthusiasm for such a vision? May it conceivably be the glorious events I've foreseen, leading to the toppling of our civilizational infrastructure by a world-wide, media-driven, socio-political-economic revolution, awaiting us all around the corner? Or might one entertain the probability that it is fueled by my assertions, from nearly 30 years ago, about Titan, the moon of Saturn, (which NASA has recently released supporting evidence for) as being our next primary goal in the colonization of our solar system - a rich world sporting rivers, mountains, clouds and an ocean, along with a few additional surprises soon to be revealed?

I must confess that it all remains a great mystery to me. But until an answer begins to make itself more evident, I can only express warm gratitude to the likes of Guy LeCharles Gonzales. Not only for the encouraging support of the efforts on behalf of Ms. Soma, but primarily for taking the lead himself and for the marvelous struggle for truth and justice which Taki Soma, Ronee Garcia Bourgeois, Buzzcope, and himself continue to wage in the face of rather overwhelming opposition.

As for being placed in the company of such notables as Alan Moore, Grant Morrison and Frank Miller... well, I humbly thank you for the sentiment, Mr. Gonzalez, but I remain somewhat uncertain that it's truly appropriate.

Though it conceivably bears further consideration... if I may allow myself to admit.

Somewhat Changing Tides

michael@michaelnetzer.com (Michael Netzer) — Wed, 07 Jun 2006 13:41:00 +0000

Heidi MacDonald's THE BEAT also commented yesterday on Guy LeCharles Gonzalez statement at Buzzscope.

Heidi excerpts the revealing update (noted here 4 days ago) in Michael Dean's excellent (and mostly ignored) coverage of the Taki Soma/Charles Brownstein controversy, indicating the re-opening of a police investigation into the incident. Perhaps appropriately titled Grope-gate Update (intermittently Mid-Ohio-gate) - arguably, not merely for the association with mass institutional cover-up and attempted protection of top executive personnel.

Heidi is concise and brief in her comment on the statement at Buzzscope:

Guy LeCharles Gonzalez writes up the results of his "investigation" at Pop Culture Shock, and the big reveal is that they aren't going to be writing about it again, since the matter will now be decided in court -- where it should have been decided all along.

I've known Heidi MacDonald for several years now, as we share a presence on a closed email list-serve discussion forum for comic book creators and professionals. She's always precise, witty, and a warm-hearted peace-maker amongst a group which can sometimes engage in somewhat enthusiastic quibble over matters of grave importance to the community. Heidi also reported several supporting items about Flaming Sword activity at The Beat last year - and it's due to this special friendship and concern (and even a reciprocal endearment) that I turn her attention to the misleading appearance of journalistic sour grapes, which resonates from her comment.

The big reveal in Mr. Gonzalez' statement is not that they aren't going to be writing about it again. They haven't been writing about it anyway, since coming under attack by the comics press for initially breaking the story, in which Heidi herself participated rigorously. The big reveal in this statement is that Guy LeCharles Gonzalez and Buzzscope stand by Ronee Garcia Bourgeois' reporting of the incident, take to task the industry press for criticism of her journalistic abilities, and inform us that several other victims of Charles Brownstein's behavior are awaiting on the sidelines, prepared to testify against him, in the eventuality that Taki Soma's effort to renew the police investigation reaches the courts.

That is perhaps the subjective, but nevertheless truly big reveal of the Buzzscope statement.

However, there is another misleading appearance of journalistic sour grapes, possibly one which borders on a mistaken appearance of hypocrisy, in Heidi's statement. Based on her previous commentary, it may be slightly disingenuous to support the notion the the matter will now be decided in court -- where it should have been decided all along.

If such is the case, Heidi, and I truly believe you feel this way, perhaps this is a good time to reflect on the manner in which you also contributed to the public admonishment of Ms. Bourgeois and Buzzscope, when it was revealed that the accused in the incident is a good friend, whom you've known since the age of 15. Your coverage of the story, helping others give the appearance of a cover-up, and subliminal condemnation of the victim in the court of public opinion, as your archives show, is extensive.

I believe everyone who read the above items remembers your transition from open support for the victim, in the first - to the condemnation of the principal figures and those who initially reported the story, in the last - when the identity of the accused was revealed as a long-time acquaintance with whom you share a special friendship.

For the sake of the appearance of journalistic integrity, Heidi, which I know you possess in great abundance, and otherwise display with incontrovertible grace - perhaps an open reflection on the above, with your readers, will help wipe away the perplexity raised by your most recent comment.

Daniel the Best & his Beloved Lyndal

michael@michaelnetzer.com (Michael Netzer) — Tue, 30 May 2006 11:42:00 +0000

Daniel Best, of the best of friends and regular visitor to our comments page, founder of the creator driven Adelaide Comics and Books web site in Australia, vociferous supporter of the often forgotten creators whom modern times have passed by, activist for the benefit and encouragement of the comics medium and its creators on countless discussion forums and email-lists, humble believer in righteousness and courageous spokesman for truth and justice... yes the same Daniel Best is soon to be wed to his heart's desire, his beloved Lyndal.

Our heartiest congratulations to the joyous couple and best wishes for a fabulous Australian wedding event on the 9th of September, later this year.

We first met several years ago when Daniel contacted me for an interview for his ACAB web site. Daniel's spirit and introduction to the interview revealed a courageous man, unhindered by presumed convention or community peer pressure views. I soon discovered his persistent active foray into the comics web and publishing communities - and we've since become of the best of friends.

Daniel has co-written, with Mike Esposito, a valuable documentation of the life and times of the much loved and missed Ross Andur & Mike Esposito comics creator team: Partners for Life. He's currently producing a book about Silver Age legend, Jim Mooney and rigorously peruses the comics community, much like a well-navigated pinging emissary, actively supporting a wide range of creators, including such good friends as Clifford Meth, Norm Breyfogle and Gene Colan, amongst many others. A quick look at the lineup of creators he's interviewed, reveals the depth of Daniel Best's penchant love for the comics medium and its often passed-by creators of by-gone eras. A recent entry at his Twentieth Century Danny Boy blog, on Jim Mooney's Cat, tells of the his adorance to the very human side of the super heroes, as expressed in the artist's charming 1960 Supergirl comic book tale.

Upon my recent return and activity at Rabble-Rouser, Daniel has moved me deeply with a few words at his blog, that tell everything about the special friendship we share.

A pal of mine asked me recently in an email, "What is it about you and Netzer? Why do you like him? He's a nutjob!" Well it's true, Michael is a tad nutty, but then aren't we all? I thought about sitting down and writing a huge response about why Michael Netzer is misunderstood, why he gets a bad rap and why he gets picked on. I felt like writing about the good stuff that Michael has done. How he helps people. How he helped me by designing a cover to my Andru & Esposito book and refused payment. Michaels design helped sell the book to it's new publisher. I could write about how Michael is one of the most honest and pure people out there in an industry that has more than it's fair share of ego and people who'll insist they're great but aren't. I could mention his writing. His art...and that's where I stopped.

In a previous entry about Joe Rubinstein's new work and Rabble-Rouser's debut, More than Worth a Look, Daniel had this to say:

My pal Michael Netzer has returned with a vengeance. Excellent! Mike's always an interesting read as he doesn't hold back with his thoughts and comments. Another incredibly talented artist (and writer to boot, not to mention graphic designer) who doesn't work anywhere near enough for my liking, Netzer is fearless. If he likes you, and he invariably does, then he'll part the Red Sea for you. But if you wrong him, or attack his pals, then you'll soon know about it.Michael - it's great to see you back!

Who amongst us wouldn't feel majestically marvelous in such good company and warm regard? You're of the best of friends and a credit to the comics community, Daniel. Do maintain the great spirit and may you only have comfort and joy on the new road you walk with Lyndal.

Congratulations and best wishes for always!

Gentleman Jim Mooney @ TwoMorrows

michael@michaelnetzer.com (Michael Netzer) — Fri, 09 Jun 2006 02:16:00 +0000

Daniel Best, founder of Adelaide Comics and Books, announced recently on his blog that his book in production, covering the life and times of the beloved silver age veteran artist Jim Mooney, has been scheduled for publication in early 2007 by TwoMorrows Publishing. Alongside Partners for Life, his previous book on the famed Ross Andru & Mike Esposito team, the announcement heralds the coalescence of a series likely to become of the more memorable in the industry's history.

Featuring a comprehensive overview of Jim's life and career, the book will surprise many. Discover just how Jim grew up with his own island. Find the connections between Jim and Bob Dylan and Clark Gable. See how Jim features in a night-club brawl with Errol Flynn. And then there's the comic books! The Legion of Superheroes. Supergirl. Spider-Man. Batman. Superman. Dial H For Hero. Son Of Satan. Man-Thing, Omega The Unknown and a cast of literally thousands.
Peppered with remembrances from some of Jim's closest friends and co-workers, the book is a must for anyone who wants to know more about the man. Read all new material from Tony Isabella, Fred Hembeck, Steve Gerber, Gene Colan, Richard Howell, Mark Ellis, Bill Schelly, Roy Thomas, Joe Sinnott and more, a comprehensive checklist, plus previously unpublished art from the collection of Jim Mooney and all new, unseen collaborations featuring original Jim Mooney art inked by Norm Breyfogle, Bob Almond, Mark McKenna, Jim Tournas, Richard Howell, Joe Sinnott, Michael Netzer and more.
All this and an introduction from Stan 'The Man' Lee himself! Watch this space for further news and updates.

A hearty congratulations to Daniel and best wishes for smooth sailing ahead with the continued production work. The Jim Mooney pencils on my drawing board, awaiting to be inked for the publication, will not tarry much longer in light of the good news.

Opening Words & Mission Statement

michael@michaelnetzer.com (Michael Netzer) — Tue, 09 May 2006 17:41:00 +0000

I hadn't planned to be back on the web for a while - mainly because I've become driven to do my rabble-rousing on the streets of Israel where the people gather. Circumstances have brought me back for the time being, however, so I've decided to run with it. One of these circumstances is that a major Israeli television show is planning a feature on the populist movement which Flaming Sword called for before we suspended operations there. This necessitates a little effort on my part to help set it up from home. The producers are interested in the content of our web sites and the thrust of our message. To this end, they'd like to give us a push forward on their program. Israel is a small enough country that such exposure will contribute significantly to gaining the public support I look for here.

Michael Netzer: Rabble-Rouser picks up where Flaming Sword Productions left off several months ago. One of its major goals is to bring a wider audience into our fold. This means there's likely to be a wider array of subject matter covered here than before. I'm counting on the presence I've nurtured in the comics community to highlight the primary role this indusry plays in our cultrual awareness and evolution. I'll try to post pertinent updates and commentaries on developments here in Israel to help bridge the gap between us. For now, suffice it to say that Flaming Sword Productions has served its declared purpose of speaking out on the plight of the comics creators and the part we play on the world stage. Its entire site archives will remain available through the links menu at Rabble-Rouser.

In choosing the name of this latest weblog, I'm reaching for a stronger definition of what it is that I'm hoping to accomplish with it. Though aware of the negative connotations to the term, I've never been one to accept such perception at face value. Rabble is generally associated with the disenfranchised lower class which more and more people are inadvertantly discovering they belong to today. The term often raises connotations of agitation and contemp - usually defined by the empowered upper class which tries to keep the trodden and persectued in check through this negative perception. I choose to cast my lot in with the rabble and hope to raise our audience's passion and concern for the goings on around us. Not with hatred or violence, naturally, but through a courageous stand to nurture a deeper truth about the difficult state of affairs we're all witness to on a daily basis.

I found the Merriem-Webster Online dictionary entry for Rabble-Rouser to be a little curious:

: one that stirs up (as to hatred or violence) the masses of the people :

The Dictionary.com entries from Lexico Publishing Group, LLC, were however, a little more gracious:

n : A leader or speaker who stirs up the passions of the masses; a demagogue.
n : an orator who appeals to the passions and prejudices of his audience [syn: demagogue, demagog]

While I've always shunned hatred and violence, I find it curious that an established literary institution such as Merriem-Webster had only one entry and chose to adhere this tag to the term "rabble-rouser". Quite short-sighted, actually, considering that one doesn't need to employ hatred or violence in order to raise the passion and concern of the people. Lexico is a far smaller institution with less credentials, which chose a definition that allows for a more positive perception of the term - adorning it with the qualities of leadership and public appeal. This certainly fits well with the notion that the established hierarchies are putting forth a consolidated effort to subvert the public's passion and concern. The little guys here, namely Lexico, maintain a greater integrity and help open a door to the legitimate rise of populist empathy, though this may ferment dissatisfaction with the established order.

Additionally, the term extremist individualism, used in the header, is being coined by Pope Benedict XVI, who calls to abolish such individualism in the name of religious piety. Well, it's not clear to me where from in the Bible the Pope draws this notion. Just the opposite, actually. The primary message of Jesus and the prophets is to nurture free and independant thought, wisdom and intelligence. Isn't that what the first commandment to love God with all your heart and soul and mind implies?

Sadly, it appears that the misguided religious zealots of the world are being led astray by their leaders who don't really want us to think for ourselves anymore - or be passionate about anything at all. They appear to be attempting to disenfranchize us of our greatest God given gift, our individualism and freedom of choice. Seems that the present hierarchial construct is more interested in numbing us into a stupor, as the socio-political-economic bulldozers clear the rubble (and rabble) away, on their way to enslaving humanity - both mentally and physically. The pompous manner with which they espouse their false creeds, exposes many of today's religious institutions for the morally bankrupt entities they've become.

Michael Netzer: Rabble-Rouser persists on raising the passion of the people in an effort to prevent our continued downfall. We've survived more than 30 years of slings, arrows and ridicule. We stand poised today, stronger than ever, for the last leg of the glorious events to unfold in the years ahead. The rebirth of truth, hope, salvation and the spirit of healing into our troubled world.

I can't attest now to the longevity or regularity of the postings here. I'll play it by ear and do my best to persevere. So, kick back and enjoy the reading. Help spread the word and network material of interest by mentioning it on blogs and forums. I'll do my best to provide a wide range of rabble-rousing content that fits loose pieces together into the big puzzle we're all putting together here. We have a lot of work to do and the clock is ticking.

Let the passions rise, my friends. The revolution draws near.

Taki Soma - Woman of Valor

michael@michaelnetzer.com (Michael Netzer) — Tue, 09 May 2006 20:45:00 +0000

I first ran across Taki Soma at the Brian Bendis board, when I discovered she'd posted a wish to have a sketch from me after seeing a Green Arrow sketch I drew at The Millarworld Free Sketch Thread. I then discovered that she was a talented artist by her own right, working professionally and quite active in comics fandom - attending conventions and nurturing a cheerful presence on the message boards. Well, I contacted her and received a specific request for a Spectre sketch. It took some time but I finally did that sketch, last January, and sent it to her. Taki then promptly posted the sketch on the Bendis board under the The Fabulous Michael Netzer thread she opened for the occasion - and has recently shown it off on another photo thread there.

On that Fabulous thread, which I also participated in, some of the conversation drifted into two particular aspects of the sketch. I drew Taki holding a drink, raising a toast to her favorite hero, The Spectre - who laid his hand on her shoulder in endearment. Some of the reactions teased her about the alcoholic beverage and sexual innuendo. I sensed that Taki was a little dismayed at this and was moved to defend the good spirit and comradrie that she exuded in everything I'd read about her and the photographs I used for reference. I explained that The Spectre's posture and gesture are a sign of his heart-felt thanks for her admiration of him. This is truly the spirit in which I did that drawing . Here's what I said about the cocktail:

Taki is raising the glass with a spirit of cheer and comradrie. She exudes nothing but goodwill and good times. People will say alcohol, demeaningly, yet those who like to enjoy a good time with friends and let loose a little to make the good spirit flow more spontaneously, well, we all know there's nothing demeaning about that. Those who criticize the alcohol rarely care about anyone in order to bring a little cheer into their lives. The good message of this drawing is worth fighting for.

I've been away from the internet since then but little did I know what a premonition all this held of things to come for Taki. The Mid-Ohio Con controversy has since blown open in the comics press, regarding sexual misconduct against her by Charles Brownstein, executive director of the Comic Book Legal Defense Fund - and a highly respected figure in the comics industry. The story has all but blown over by now. Below is a sampling of the press coverage on it:

Here's a loose and brief summation: Sometime last fall at The Mid-Ohio Comics Convention, Taki was invited to join a few acquaintances in the hotel pool or jacuzzi. Everyone there had indulged in some drinking. Taki, not having a bathing suit with her, entered the water fully dressed. She claims that when she started to leave, Charles Brownstein grabbed her shirt and slipped his hand under it, cupping her breast - and wouldn't let go. A struggle then ensued and Taki's friend came to help her by forcefully prying Charles' hands away from her.

Ronee Garcia Bourgeois, an acquaintance of Taki, initially broke the story at Buzzscope. Though not naming names, this apparently led to a series of speculations which infringed on the reputations of other key figures in the industry. Taki filed a police report but was dissuaded from filing charges against Brownstein because of logistical issues and lack of witness credibility. Charles then came forth and admitted that he lifted Taki's shirt but never touched her body. He claims to have apologized but that Taki didn't accept his apology.

The CBLDF investigated the matter independently and has laid it to rest, bringing little or no action against Charles Brownstein. The comics industry has now laid this story to rest also. Some of the commentary in the comics press calls Taki Soma's integrity into question for not having filed charges and for the discrepancy between the two versions of what happened. An issue of her affair with a married man was brought into the fray (he was the key witness who pried Brownstein's hands from her at the pool) and only added to the suspicions against her. It's become a "he said/she said" matter that will remain unresolved, the pundits wrote. Taki Soma has been admittedly wronged in a very degrading manner by a prominent figure in the industry and the comics community is willing to let things remain as they are with little or no repercussions for the assault on her.

I myself am not satisfied with the way it's been resolved. I'd like to direct a few words to Charles Brownstein.

Taki Soma, Charles, has no reason to lie about the incident and fabricate the story of you grabbing her physically under her shirt. If she was ferociously going after you and wanted to damage you, as your friends have speculated in the industry press, she would've filed charges against you. The fact that she filed the police report but brought no charges is an indication of her goodwill and perplexity in dealing with an incident which caused her much undue pain and grief. Taki Soma handled the matter as a woman of valor would, with great sensitivity to everyone involved - including you.

You, on the other hand, Charles, had every reason to lie about what happened. You had every reason to take advantage of the indiscriminate way the story broke into the comics press. You had every reason to lie about what you did, showing no concern to the additional grief you bring on Taki. Everything in the story indicates that if you'd come forth honestly with a sincere apology, Taki would've accepted it. What she didn't accept was a dilluted account of the incident with an offer of monetary recompense. No, Charles, you had every reason to try to weasel your way to safety by casting doubt on her integrity and transforming your assault on her into a misdemeanor between friends.

You're no friend of Taki's, Charles. We all know that now.

You're a profound example of the reason our world's become the ruthless jungle that it is. You hide behind your position with a respectful organization while you assault and defame an innocent woman with far greater nobility than you. You've shown yourself for the regrettable semblance of a man you're purporting to be. The way your friends and supporters came to your aid, at Taki's expense, bids ill for the state of affairs in the boy's club of the comics, which remains deaf to the injustice that Taki suffered at your hands.

I don't believe you, Charles. I don't believe you've spoken the truth about this incident. I don't believe you when you say this was a first and last case. I don't believe anything you say about it, actually. Not until you publicly admit what you've done and how you misled everyone about the truth you're hiding. You, Charles, carry a heavy weight in your heart as a result of your actions and you'll continue to carry it until you make a sincere gesture to restore this good woman's trust. The trust and dignity which you attempted to strip Taki Soma of.

I'm not a naive man, Charles, but I'm not giving up on you. I'd like to see you muster the courage to do the right thing and come forth with the entire truth. Not for Taki's sake alone - but for yours also. You yourself, Charles, are the one whom you've damaged most with your actions... and with your subsequent cover-up of them.

A Remarkable Librarian

michael@michaelnetzer.com (Michael Netzer) — Wed, 10 May 2006 00:58:00 +0000

I recently glommed an article about me on a blog that riveted me for a couple of hours, reading through the archives. Steven Thompson's BoookSteve's Library is one of these rare works with a wealth of information and balanced insight into the entertainment media, as seen by a comics fan since his childhood days in the 1960's. Steven's dining room, he tells in his opening post, was transformed into a pop culture and entertainment library soon after his marriage and discovery that they're a family which enjoys their meals in front of the TV. He utilizes this treasure chest with a touch of wit and grace that most bloggers would be envious of.

In the article which brought me there, Steven recalls the impression he had of a 1980 Ohio convention I appeared in - and even posts a photo he has of a 25 year old yours truly, sketching away with Bob Layton.

His opening words are a statement that few comics folk are willing to admit to today:

When bearded, long-haired writer Alan Moore says something outrageous that makes you think in ways you hadn't thought before, fandom calls him an eccentric genius. When bearded, long-haired artist Michael Netzer says something outrageous that makes you think in ways you hadn't thought before, fandom calls him "bat-shit crazy." What's the difference? Religion.

A humbling comparison - though the essence rings true. Steven goes on to cover my career in the comics, the move to Israel and my re-emergance from the sidelines with this web complex:

...Then , however, he turns up with his own website, looking for all the world like Jesus Christ and sounding like him from time to time, also. The fan websites have a field day and the names start flying. The general presumption was/is that the man has gone off the deep end.

Well, we all have our crosses to bear, don't we? Still, the tides are slowly turning as to fandom's perception of all this. The Fabulous Michael Netzer thread at Bendis Board and an article like Steven's, are good examples of how goodwill and perseverence in the face of short-sighted ridicule can sway the heart. Steven sums up with an encouraging remark that makes all the criticism worthwhile:

I don't really like to read books or articles by people who completely agree with me on things. In fact, I've always admired people who don't think like I do. They broaden my perspective. They make me look at the world and myself in different ways. Many great comics creators can do that. Michael Netzer is certainly one of them.

My gratitude goes out to you, good librarian. Your entire blog is a treasure of memories and commentary, worthy of every reading moment. A recent entry on Elvis revealed not only the extent of rare material Steven possesses - but also a unique and insightful statement about the tragic circumstances that eventually brought down the King of Rock.

Go there, enjoy, comment and give this good man his due credit for the excellent material he freely provides from a heart as voluminous as his remarkable library.

Lost Girls Coming Home

michael@michaelnetzer.com (Michael Netzer) — Wed, 10 May 2006 03:48:00 +0000

Speaking of Alan Moore... And sexual innuendo. Moore fans, comics lovers and the whole bloody world are all advised to fasten their seat belts because the rabble-rouser of comics statesmanship is stirring passions again with the debut of a 16 year long project he's produced with Melinda Gebbie - Lost Girls.

Some chapters from the first of this three volume collection have already seen print but this complete release from Top Shelf Productions is fanning flames across the entertainment world. It's being dubbed "an unabashedly pornographic work" by mainstream reviewers, who are reacting like a rookie batter that's been thrown a nasty curve ball by the hailed creator of Watchmen, V for Vendetta, From Hell and League of Extraordinary Gentlemen.

First columnist of comics, Rich Johnston, has written a passionate review in this week's Lying in the Gutters. One of his more moving articles to date, actually. The profound effect LOST GIRLS had on him shines through, majestically. That's what makes him of the finest commentators in the industry. If you want to know what this project is about, I strongly recommend to go there and read it.

I haven't yet seen the reviewers' copies that Top Shelf sent out, (the last such package I received was from DC 15 years ago) which puts me at a disadvantage to talk about it right now. What I did see though, is an excellent interview with Alan Moore, conducted by Kurt Amacker at Bits of News. Here, Alan sets the stage for the severe reactions he expects from the conservative religious front for using childhood idols within explicitly sexual material involving at times, consensual child sex, incest and even beastiality. This being Alan Moore, however, he drives his point home by giving us a jarring depiction of the world which the conservative front would have us believe to be of a higher moral value. Alan first talks about the background of the story and discusses what drove him to do this project and his views of human sexuality:

To some degree, no matter when we have our first sexual experience - whether it is as somebody very young or somebody in later life - to a certain degree, that sexual experience is one of the main marker posts with which we define the end of childhood and beginning of maturity. To some degree, everybody going into their first sexual experience is, in a certain sense, immature. In a certain sense, they are still children. When they come out of that sexual experience - and like I said, this can be at the age of 13 or 35 or whatever - when they come out, they may not be mature adults, but they're certainly not the children that they went into the experience as. Sexuality is one of the ways in which we define what a mature adult is, you know? We look at things like puberty and adolescence and these are the stages in life that mean we have changed from one thing to another.

When we enter into that new world, it is exactly that - it is a new world. It is a world in which all the things we learned during childhood no longer apply. People are all acting differently. People have different motives. There is a different kind of logic that applies to the sexual world than to the world of childhood. It's very much like the logic of the Red Queen in ALICE IN WONDERLAND. It kind of sounds like it makes sense, but it's completely unfamiliar to any way that you've ever thought before. All of our first sexual landscapes - they do become wonderlands - wonderful and often scary and disorienting places.

Good insight. Sigmund Frued would've learnt something from you, Mr. Moore. At least to help put his own obsessions in perspective. The interview then moves onto the socio-political environment LOST GIRLS emerges in today:

I'm sure that there were many times during those 15 years where me and Melinda thought, "This is taking far too long." But, I think the timing of it has worked out quite serendipitously. Given that as much as LOST GIRLS is pro-sexuality, it is every bit as much anti-war. I think that if we had got it finished in a year or two and this had come out in the late '80s or early '90s, it might not have seemed anywhere near so relevant as it does today.
You've got, on the one hand, a kind of neoconservative agenda in the world today. On the one hand, possibly because it's seeking to appease the Christian fundamentalists, is very anti the idea of a free sexuality. On the other hand, they seem to be very fond of the idea of endless war. Now, this, to me, seems completely ass-backwards. This, to me, seems like an anti-human position. I cannot see it as any other than that. If the people who are actually pushing those values forward could just stop and think for a minute, are they really saying that sexual acts are filthy, dirty, not to be countenant, but they are quite prepared, for the sake of securing enough fuel for their automobiles, to condemn children in another country to hideous death and dismemberment?
Is that what their God has told them that He wants? And, if he has, perhaps they ought to sort of check this God guy out a bit - look at his record, see if he's wanted anywhere. That sounds psychopathic to me, and I suspect it would to anybody who was remotely normal. I, more than ever later - as I suppose a lot of us have - we've had to sit and watch this parade of frankly evil inanities that is the modern world. And, it's as if we've all fallen down the rabbit hole - as if we are all working to the logic of the Red Queen. Iraq didn't have any connections with Al Queda - I mean, it has now, but it didn't then. It didn't have any weapons of mass destruction. We invaded it pretty much just because Donald Rumsfled and Dick Cheney and Wolfowitz and the rest of them wanted to, and because Tony Blair wanted to hang out with the big important guys.

I know Alan isn't naive and understands that Cheney and Blair didn't really mastermind the Iraqi war. No political leaders can escape the grip of the economic heads whose bidding they do today. Alan's right in that the bottom line here is the money. World economic leaders are pushing to subjugate the Arab world into Western consumerism- and the Arabs just aren't buying it. That's what's really behind the rise of international terrorism and Islamic Jihad. Doesn't excuse it, but it's important to understand this if we're to have any hope of curtailing the bloodshed.

Alan goes on to explain the more taboo sex scenes in the project, such as incest and sex with children:

What we wanted to do was make the point - as we have one of the characters make the point for us during one of the scenes - that these are not children. These are drawings of children.
They are depictions. Yes, I can't produce the birth certificates of these young-looking people to prove that they are, in fact, midgets at the age of 18, or whatever. You're showing images of fictional children having consensual sex. This could be seen as wrong, whereas I, for the past couple of years, have been turning on my television and seeing pictures of actual, non-fictional children with their arms blown off. But, this is okay, because this is collateral damage. And, after all, they have only blown the arms off the children, killed all of their relatives, and left them with no un-blackened skin below the waist.
It's not like they've touched them sexually or anything. Frankly, when you're confronted with that kind of vision on the six o'clock news, it makes all of these arguments about what it is permissible to depict in fiction completely laughable - almost an insult to our mutual humanity. If we can get so upset about lines on paper, but cannot somehow get upset about real flesh, real blood, real viscera, then what are we? So yes, I suppose that you could see those sections as deliberately provocative. I felt that I wanted to make a point there.

Point well made. Though I look forward to the rabble-rousing this project promises, the above excerpts drive the point home with the firm eloquence of a 10 ton hammer. Rich Johnston sums up what we can look forward to, later this summer, with the debut of LOST GIRLS.

Of course what will be interesting, purely from my point of view, will be how the industry will react. Shops that would stock Alan Moore books may not stock this. Some that would not stock adult comics may decide to in this particular case. Bookstores, libraries, who knows. Alan Moore's profile, whether he likes it or not, has never had a higher media stock. Which means Daily Mail/Fox News style stories about paedophilia, the corruption of our youth may abound and the work of the CBLDF may be needed more than ever. So make sure you get your copy while you can. By Hook or by Crook.

As to the ordering venues, Rich continues:

If you want the signed numbered edition, you have to use the [Top Shelf] website. If you want the standard volume, check first with your retailer whether they are willing to stock it. If so, go for it. It is unlikely that all retailers will. Some, because it's not by Marvel and DC, others because it portrays repeated sexual acts, some illegal, graphically, some because they won't be able to get copies through their geographic distributor fearing seizure by Customs.
Yet it is probably Melinda Gebbie and Alan Moore's greatest achievement in the comics field.
Hook or by crook, remember.

Couldn't agree more. LOST GIRLS is coming home and deserves a big welcome. Here's the link to pre-order the deluxe hardcover collection at Top Shelf Productions. If nothing else, talk it up about what you've read here and lend Alan Moore a hand in this commendable effort to incite passion and concern for the more disturbing issues our troubled world faces.

Get the word out. Hook or by crook!

Alan David Doane:

michael@michaelnetzer.com (Michael Netzer) — Sun, 14 May 2006 04:29:00 +0000

Another Arrogant, Malicious, Narrow-Minded Review

Last year I ran across Alan David Doane of Comic Book Galaxy fame on a message board and produced a portrait of him which I included in Portraits of the Creators Sketchbook. Some time later, I took him to task for having unjustly criticized Clifford Meth for his editorial policy in the The Uncanny Dave Cockrum Tribute. I asked him then to try to smooth things out with Clifford, but Alan chose not to take any such action.

ADD has recently maligned another friend and colleague with an arrogant narrow-minded review of The Comic Cartoonist's Workbook by Steven Bove', self-published through his Bove'works imprint.

Perhaps it's time that ADD receives a little taste of his own medicine to help him better understand the potential consequences of the narrow-minded insensitive arrogance he displays with his often spiteful reviews and commentary.

In your malicious disregard for the purpose and essence of the material you reviewed, Alan... As you wallowed in your self-importance and in the image of the loud-mouth crusher you easily allow yourself to portray... As you so heroically and ruthlessly attempted to show us what a mighty and ferocious pen you wield with the blabbermouth dribble you try to palm off as intelligent reviews... And in this dark hour for you where the comics industry will judge you with the same cruelty you judge others... I'd like to humbly remind you of one simple fact that has escaped your pitiful self-imposed eminence in the above mentioned review.

Steven Bove' makes no pretense of being on parity with the comic book giants you attempt to compare him to. Steven is a humble good soul with a love and passion for the comic book form that escapes the pompous arrogant elitism which characterizes you. His book makes no pretense of showcasing his talent as an artist. Its purpose, rather, is to introduce young newcomers to fundemetal basics of creating and publishing comics. This, Alan, Steven accomplishes with an eloquence that a proud and crude loud-mouth, parading as an intellectual snob, such as you, can never understand. Yet, Steven's art in the workshop publication is professional and proficient with a charm that the darkened crevices of your ugly soul simply cannot bring itself to enjoy.

Steven's book is a credit to his achievements as a professional instructor and artist. Steven's love for the craft and the community of comics creators comes through with every dot of ink and every fiber of paper in his marvelous and charming work. Steven's love for the comics and for comics creators drove him to choose to remain independent, upon discovering that the career he embarked on as a work-for-hire artist imposed upon him conditions that he felt would be a discredit to the craft's integrity. He chose to walk out on comics publishers who offered him work and forged an independent path early in his career, in pursuit of the due respect he felt that comics creators should receive from them. The integrity that Steven Bove' possesses in the tip of his toenail at any one given moment, exeeds, ten-fold, the integrity you have garnered in your entire physical being since the very day your were born into this world - as exemplified with the disrespect you display for a humble elegance such as his.

You have written another arrogant, narrow-minded review, Alan David Doane and stepped on one too may toes with your malicious pomposity and ill-hearted disregard for the essence of the work you reviewed. The piper now comes calling.

I do pray he'll find you well dressed for the occasion.

CBR'S MIKE SMITH:

michael@michaelnetzer.com (Michael Netzer) — Thu, 18 May 2006 06:14:00 +0000

Comics Creators to Politics!

Comic Book Resources' own Mike Smith, famed socio-political activist who's garnered more than 5,058 posts since joining the sizzling forum community in late August, 2005 (averaging about 19.15 posts per day) made a courages and moving plea to comic book creators for taking a more active role in helping steer our troubled nation's political leadership into safer pastures. The resounding call, creating waves of controversy throughout the comics community, was made on a forum thread discussing The Comic Book Creators' Party proposed Presidential candidate for the 2008 elections, Neal Adams and his provocotively debated science theory, Growing Earth.

The idea that comic creators could have a special place in US politics, some of them showing signs of being excellent leaders that could capture the hearts and minds of Americans, is neat. While I don't think interest in comic writing could act as a unifier in a group of people starting a political movement, it would be interesting to hear some clever comics creators ideas on the nation, its development, and prospects for the future.
Whenever we have more concerned people presenting their ideas in a public forum - from the garbage man, to the teachers, to the comic creators - our country is moving in the right direction. The mind set of THE PEOPLE is at the fore of the public forum and discourse. Comic creators do have a bit of a spotlight, so could use their prestige and position to turn their "mikes" up a bit louder than others to be heard. Doesn't mean they'll necessarily be that great, but would surely be welcome to present their views on successfully directing the nation [to a more favorable state of affairs].

Still early to estimate the influence this will have on renowned creators with sharp socio-political opinions and messages in their work, such as Alan Moore, Frank Miller, Steven Grant, Mark Millar and Warren Ellis, among many others - Michael Netzer, the enigmatic comics creator who first proposed the formation of the party in November, 2004, had this to say about Smith's activism:

Mike Smith is one of the true brave leaders within the comics community's forum discussions and I have no doubt that comics creators from all genres will not be able to easily ignore the controversy his bold new initiative will raise.

More to come as events unfold.

The Problem with Charles Brownstein

michael@michaelnetzer.com (Michael Netzer) — Fri, 19 May 2006 01:52:00 +0000

I've received many expressions of support from the comics community for the sentiment expressed here on the Charles Brownstein / Taki Soma story. I'm also receiving new information that's revealing it to be a far more serious affair than was reported in the industry press.

There appears to be a concerted effort underway to protect Brownstein and the only dissenting voices are coming from comics fans on the message boards. Taki Soma is a well known and much loved personality in fandom. The industry press has basically fallen in line with what looks like a massive cover-up of facts and distortion of evidence that diminsh from Brownsteins's crime against her - along with a few other instances that are floating around as rumors or uncorroborated stories. Rich Johnston's comment in this week's Lying in the Gutters (scroll down to Don't Walk Away...) tells us, inadvertantly, that the whole affair is a big whitewash and that we simply have to live with it.

And you know… while a fair few people have been criticising Newsarama, The Beat and Comics Journal for being biased over this… has anyone noticed the web address for Friends Of Lulu - - http://www.popcultureshock.com/lulu/ - - the charity behind the Fund?
Hey if everybody is biased, does that just kind of even out in the end?

One has to read very carefully between the lines to see the sarcasm in Rich's statement. What he's saying is that the claims coming from comics fans about bias are substantiated. Matt Brady (Newsarama) and Heidi MacDonald (The Beat) both admit to a friendship and endearment to Brownstein when commenting on the story. Brownstein's impressive career in comics journalism included a fruitful association with The Comics Journal. These three institutes are of the most influential in the comics media today. Together, they've taken a stand in Brownstein's defense - and the rest of the comics press has simply fallen in step.

Pop Culture Shock / Buzzcope (the website which hosts Ronee Garcia Bourgeois's column where the story first broke) also hosts the Friends of Lulu website, an organization devoted to the advancement of women in comics. Rich Johnston asks if this doesn't even out the bias in the end. This would be a funny question if it wasn't such a tragic story in which an innocent woman has been molested and now besmirched for having come forth with her story. Is Rich saying that PCS's hosting of FOL balances out the injustice which the comics media has done to Taki Soma - and now also Ronee Garcia Bourgeois for reporting it? I know him well enough to see when he's being sarcastic. I might like Rich to be a little more direct and say what's on his mind here - but there's a problem with Charles Brownstein that's basically paralyzed the entire comics community and prevents adressing the incident forthrightly.

A look at Brownstein's career accolades, as reported in a press release announcing his appointment to directorship of CBLDF, February, 2002:

Brownstein has been one of the more prolific comics journalists of the past decade. He entered the field in 1994 as the writer and publisher of the interview magazine Feature. In three years Brownstein self-published fourteen issues of the magazine, capturing the insights of some of the field's brightest talent during the most tumultuous period in the direct market's history.
In 1998 Brownstein became Programming Director for Comic-Con International where he was responsible for organizing panels and seminars for CCI: San Diego, Comic Book Expo, Pro/Con, and APE. He returned to journalism in 2000, writing for magazines and web sites including The Comics Journal, Comics Buyer's Guide, Comic Book Resources, and TheComicStore.com. He also served as articles editor for the Expo Anthology, published to benefit the CBLDF.
In 2001 Brownstein was the principal reporter for Comicon.com's SPLASH, where he covered the entire convention circuit and broke several of the year's most important news stories. Brownstein also contributed stories to Publisher's Weekly and to the inaugural edition of Wizard Edge.
Last year he also served on the Expo's Steering Committee as Programming Director and consulted in both formal and informal capacities for a variety of comics-related causes.

Charles Brownstein is perceived as an energetic man who's forged a notable career in the comics community. He's gained the friendship and support of the most talented creators, journalists and executives in the medium. His appointment to directorship of the Comic Book Legal Defense Fund provides a security blanket like no other. The CBLDF is one of the most respected institutes in the comics, and rightly so. Its tireless efforts to protect publishers and creators are of the most dire necessity in confronting the repeated and continuous litigation assaults on the comics. It's the one institute that enjoys across-the-board support from every publisher, media organization and creator. As its director, Charles Brownstein enjoys this same protection and support that the CBDLF itself has earned.

Charles Brownstein appears to need every ounce of support he can get. His energetic spirit is known to spill over to questionable territory when he's not in the office. Stories of sexual intimidation of female volunteers abound within the close circles of his social acquaintances. He uses his position to blatantly demand semi-sexual favors from them or to insult them with profanities when they don't comply. Several allegations of sexual misconduct against him were swept under the carpet when the victims chose not to suffer the inevitable mud slinging they knew would result from their doing so. A man of Charles Brownstein's position and influence is a very difficult animal to bring down under such circumstances - and anyone who tries to do so is expected to pay a very high price. This is the problem the comics community has with Charles Brownstein

For Taki Soma, however, the story just wouldn't go away. When it spilled over to Ronee Garcia Bourgeois' column at Buzzacope, Brownstein positioned himself for the kill which began with his sexual assult on her. Claiming a watered down version of the incident to make it appear like a misdemeanor and a first and last time affair. An offer of monetary recompense. Casting doubt on the integrity of Taki and Ronee. The cobble-cogs of the comics went into action and succeeded in washing his hands clean of the crime.

Everyone seems to be satisfied with laying the story to rest. Everyone except for the thousands of comics fans expressing their disapproval across the message boards. Add to them one Ronee Garcia Bourgeois, the opinion columnist who bravely uncovered the incident at Buzzscope.

And one woman of valor, Taki Soma, the victim who cries in the wilderness for justice.

Networkings

michael@michaelnetzer.com (Michael Netzer) — Sat, 20 May 2006 20:27:00 +0000

When Fangirls Attack picked up the two Taki Soma - Charles Brownstein items posted here recently. Nice compilation blog about Women in Comics. The compilers Ragnell and Kalinara, have their own active blogs as well. Their links have chain-reacted to their friends' journals and made it the top source of traffic to Rabble-Rouser this weekend.

Tom Spurgeon linked to Steve Thompson's item about me at his Comics Reporter's Quick Links on May 8th. It's a pleasant surprise, actually. Tom is one of the more comprhensive reporters in the comics community, nourishing an excellent commentary, news and documentary enterprise.

Pink Floyd's Roger Waters Tour:

michael@michaelnetzer.com (Michael Netzer) — Wed, 24 May 2006 05:17:00 +0000

Bill Sienkiewicz and Neal Adams Illustrate Waters' Mid-East Adventure

Pink Floyd lyricist Roger Waters is beginning a tour on June 4th and a new song he's written will be accompanied with illustrations provided by a Bill Sienkiewicz and Neal Adams - as a filmed addition to the performance. Neal Adams made the announcement on his web site last week, telling of pitching in to help Bill Sienkiewicz in the last 3 day deadline crunch for the work.

Waters' new song, scheduled to be the first number in the prerfomance, tells of a real experience he had while traveling the Middle-East as a young man. Adams comments on his impression of the story:

The project is grand and yet totally personal. The work from Bill and myself illustrate a straightforward story. A simple story so personal, simple and revealing of humanity that Roger felt, if you can believe it, that only comic panels will do the trick.

I don't know if this isn't the greatest song that Roger Waters has written... but for me, after all his brilliant songs, this, this one is the greatest.

Believe me when I say Roger will be sharing his soul with you if you get to that concert.

As a comic book artist who's traveled the Middle-East and lived though countless adventures on the way, news of this project sets the interest thermometer very high on my scale. Roger Waters, Bill Sienkiewicz and Neal Adams - noted statesmen of the music and comics industries - coming together to tell a moving and very human experience in one of the most volatile regions of the world. The convergence of these artists and their worlds is yet another sign of the pertinent role comics creators are playing in modern culture. The following image from the project depicts a tense circumstance one can easily fall into while traveling here- one that I myself have lived through several manifestations of during the last 25 years.

The tour opens on June 4th in Verona, Wisconsin - and is scheduled to close on September 12 in Seattle. Follow this link for tour schedule and advance ticket sales.

Top Two Three Films

michael@michaelnetzer.com (Michael Netzer) — Tue, 30 May 2006 10:17:00 +0000

Adventures into Digital Comics Interview

I announced last year, at Flaming Sword, an interview I conducted with Top Two Three Films director Sébastien Dumesnil, intended for use on the web site promoting their documentary film, Adventures into Digital Comics. The interview has now been published, and can be seen here, as post production editing of the project nears completion.

Adventures into Digital Comics is a compelling work because of the all-inclusive line-up of comics creators it brings into its fold. The documentary is a compilation of interviews with the creators, which engulfs them in an aura of relevance and statesmanship within the developing electronic environment of the entertainment world. The film elevates the creators' voice into the Hollywood film culture community in a manner previously unimagined within the comics field itself. I look forward to the release of this project, coinciding with an increasing awareness of the special role comics creators are commanding in the world of pop culture. This particular interview I participated in, perhaps well exemplifies this emerging role and focuses on the potential influence the voice the creator community can have in the shaping of more widespread public awareness and opinion.

GO. SEE. READ!
Adventures into Digital Comics - Michael Netzer Interview.

Tom Spurgeon on Alex Toth

michael@michaelnetzer.com (Michael Netzer) — Mon, 29 May 2006 21:46:00 +0000

I mentioned previously that Tom Spurgeon is one of the more comprehensive reporters in the comics field. His Collective Memory: Alex Toth, 1928-2006, however, proves even this to be an understatement:

People will say he was a great craftsman, and they'll be right, but what Toth did was a little further along than that. Toth reached that scary point where it felt dangerous to look at some of his best work; you ran the risk of being pierced by a force that practically shimmered on the page, that inhabited every image, like a master chef's dessert so rich it made your eyes water in protest, or a singer's voice so pitch-perfect it made you want to leave the concert hall, if only to catch your breath. His handwriting exuded an element of purity in cartooning that could outclass other artists' fully-rendered sequential art. Toth's black and white work in particular displayed an almost transcendent understanding of drawn art as a visual story component. When we as readers come to a greater understanding of the effect that great art has on the reading of comics, Toth's reputation is likely to grow even larger than it is today.

The entire piece reverberates with ardent insight. Moreso, Tom compiled what must be the most all-embracing documentation of Alex Toth's presence on the web, before and after his departure. Tastefully chosen art, quotations, news items, blog entries and an extensive reference source link library add to make this a definitive must-see item. A sentimental and compelling tribute worthy of the Alex Toth legacy.

Tom Spurgeon's Collective Memory: Alex Toth, 1928-2006.

Kenneth Lillie-Paetz

michael@michaelnetzer.com (Michael Netzer) — Tue, 30 May 2006 14:52:00 +0000

Prolific Comics Writer in the Making

I recently came across the web site of Ken Lillie-Paetz, Monkey Pharmacy, while investigating the Charles Brownstein-Taki Soma story. Ken has been named as Taki's friend, who came to her aid and forcefully pried Brownstein from her, releasing her from his bodily grip, at the Mid-Ohio Con incident. I'll not discuss this issue in this item and prefer to leave it to an upcoming entry. For now, let's simply get to know Ken a little better, shall we?

As it turns out, Kenneth Lillie-Paetz is quite the comics writer in his own right. Two projects he nurtures, Monkey In A Wagon vs. Lemur On A Big Wheel and Elsinore, first published by Alias Enterprises and Devil's Due, respectively, have received very favorable commentary from industry reviewers. Below are a few:

Monkey: Buzzscope - Chud
Elsinore: Silver Bullet issue #1 - Buzzscope - Silver Bullet issue #3

I haven't yet seen either of these works, but the ideas put forth in the reviews and promotion, combined with the imagery from Elsinore, show a prolific and innovative approach to a subject very dear to me. I did, however, peruse his web site and found Ken to be a creative soul struggling with the basic issues of survival in a situation that may not appear to have dealt him a very good hand to begin with. The following is from the about section of his web site:
Monkey Pharmacy was formed, during breakfast, in 2003, when MP's Prime Minister (Canadian for "President") Ken Lillie~Paetz decided that he was not in nearly enough debt and wanted to free himself from the last remaining vestiges of optimism he had about the future. Under the assumption that the Apocalypse would surely happen before the banks and credit unions caught on to what he was up to, Lillie~Paetz quickly threw an enormous amount of borrowed money into what would surely be a never-ending sinkhole for cash.

Thus Monkey Pharmacy was born and miraculously brought into creation (and, even more surprisingly, publication) the comic books "Elsinore" and co-creation "Monkey On A Wagon vs. Lemur In A Big Wheel" (in partnership with the incredibly funny, and ever so dreamy, Chris Moreno). Astounded by the shocking news that some people actually might enjoy his cryptic and entirely incoherent ramblings about the evolution of madness and the destructive capabilities of amusing animals on stolen kiddy wheels, Mr. Lillie~Paetz immediately fell into a deep depression and decided to become a recluse and hide from the world. Sightings of a strange creature roaming the remote areas of Northern Ontario, Canada, wearing a straw cowboy hat and a bathrobe, awkwardly trying to maneuver across the frozen tundra with a miniature dachshund and a two-four of Alexander Keith's India Pale Ale, are most likely just a hoax.

For the purposes of sales and promotion at comic book conventions, however, an almost-realistic human automaton was created and sent out to replace the real Mr. Lillie~Paetz. Armed with the prime directive of bringing Canadian beer to deprived Americans, the "Kenbot" has become beloved by all within the industry.

Monkey Pharmacy will continue to produce virtually undecipherable works until its inevitable and long over-due demise. But of course all of those involved with Monkey Pharmacy are pleased to have you along for what should be an incredibly short ride.

CAVEAT: Purchasing the products produced by Monkey Pharmacy will not in itself lead to the end of humankind. While this is surely a sign of the upcoming Apocalypse, Monkey Pharmacy and its affiliates can not be held responsible for life continuing without some catastrophic event to obliterate us from existence.
The hand that Kenneth Lillie-Paetz has been dealt, which also enshrouds him in controversy over the Brownstein-Soma incident, appears to include a witty ability to express himself, a clearly evident talent in comics storytelling and a fresh approach to writing that makes for an enriching reading experience. It's slightly evident that he has suspended activity on his web site since the recent publicity. I would only hope that this unfortunate incident, which is far from being resolved, doesn't impede the inspiration and development of this very talented writer who brings such wit, humor and prolific creativity to the comics.

The comics craft would suffer a terrible and immeasurable loss if this were to truly be the case.

A Motherly Sentiment

michael@michaelnetzer.com (Michael Netzer) — Thu, 01 Jun 2006 13:01:00 +0000

A Jewish Liberal Mother's View of a Very Human Jesus

Rene Thompson, wife of The Remarkable Librarian, Steven Thompson, also maintains a blog of her own, View from the Sandbox, ardent with a sensitivity and flavor of socio-political discourse we rarely enocunter in the male of our species. In her profile, she describes herself as follows:

One side of the family was Baptist, the other was Methodist, my parents converted to Judaism and sent me to a Catholic school. This basically means I can guilt in three different languages. My world revolves around my son and what I can do to make the world he enters the best that it can be.
In desiring to help bring a better world for the children, Rene reaches to define and comment on the media publicized issues of social and political relevance, which together contribute to the general decline we see all about. But in a moving entry on the very human side of Jesus of Nazareth, An Oldie But a Goody for Mother's Day, her motherly instinct takes over to reveal a rarely perceived facet about a man widely elevated to Godhood and stripped of any semblance of the basic human qualities we all know he must possess, and which his very own mother had nurtured:
Imagine a woman coming to grasp the full impact of what was going to happen to her son, not looking at him as the Son of G-d, but as the baby she had nursed and loved as she taught him to walk, to talk, to feed himself. Her son that she loved as only she could. Knowing that on some day, in the not so distant future, he would start down the path that would eventually end in his painful death.

If you were a parent, would you be able to deal with the possibility of that future day after day? And yet, Mary did more than just accept it. In John 2 we see evidence that she encouraged Jesus to take those first steps. And the third day there was a marriage in Cana of Galilee; and the mother of Jesus was there: And both Jesus was called, and his disciples, to the marriage. And when they wanted wine, the mother of Jesus saith unto him, They have no wine. Jesus saith unto her, WOMAN, WHAT HAVE I TO DO WITH THEE? MINE HOUR IS NOT YET COME. His mother saith unto the servants, Whatsoever he saith unto you, do it. John 2:1-5 On a light note, it's amusing to see that even the mother of Jesus sometimes had to put up with the biblical equivalent of "Ah Ma, not now!"

Just as Abraham was asked to sacrifice his beloved son, Mary had to, in her own way, built the sacrificial pyre. Mary could have taken the passive role that would have been perfectly acceptable for that time. Instead of sitting by and hoping that her own bitter cup might pass her lips, she actively celebrated her promise to G-d by assisting her son in starting his mission and being there at the end. Thus she showed a most magnificent love for her God, her people and her son.
I'm always moved by this very Jewish view of the more human Jesus and Mary. It doesn't happen very often that Jews openly speak about it. The Christian world prefers to keep the Christ figure raised high into the Clouds of Heaven stratosphere, and maintains a God-like image of Jesus the man, where any mention of his humanity, is immediately perceived as heresy.

This, naturally flies in the face of Jesus' presence in the world and the few times he himself spoke of this issue. One such instance in the Gospels tells of a woman addressing him as "Good Master" upon which Jesus replied, "Why do you call me good? I am not good. Only God is good!". In the Book of Revelations, when the resurrected Christ appears to John on the island of Patmos, John falls before him to worship and Christ immediately implores him to stand up, saying: "See thou do it not, for I am of your brethren the prophets, worship God."

These two instances, amongst others, point to Jesus rejecting that he be elevated to a position of Godhood, as the Church has done with him. Just the opposite is true, actually. By doing so, the Church nurtures false holy pride, division and strife in the world over an issue which Jesus himself wants not part of.

Why is it that you so blatantly disobey your declared master, all ye hypocrites amongst the Christians? How long will the atrocities you perform, repeatedly, in the name of Jesus Christ continue, Pope Benedict XVI, before the cries of the innocent children who suffer at the dark clouds you bring are heard? How long before judgement comes upon all who take the Lord God's name in vain?

Not very much longer at all, believe me. Awaiting around the corner, actually.

Coming soon, like a thief in the night.

An Open Letter to Chris Staros

michael@michaelnetzer.com (Michael Netzer) — Sun, 04 Jun 2006 02:35:00 +0000

The Avoidable Demise of Top Shelf and CBLDF

This summer, Chris, you stand before the most significant crossroads of your career in the comics. As publisher of Top Shelf Productions, you've placed the culmination of a career effort behind Alan Moore's controversial Lost Girls, and stand behind it with a $200,000 printing investment, one of the largest in the history of the industry for an independent venture of this kind. Your support of this significant work is well placed. The message Alan Moore brings with it is worthy and needs to be voiced. Lost Girls is expected to encounter significant opposition from certain social sectors and your ability to defend it legally will ultimately decide whether Top Shelf will survive the pseudo-moral onslaught which awaits it. As President of the CBLDF, you also command the institution which will wage the inevitable legal struggle you'll face.

The shadow which hovers over the CBLDF, the Charles Brownstein - Taki Soma incident, threatens to destroy everything you've worked for as a publisher and president of the fund. You cannot raise a flag for freedom, truth and justice in one hand, Chris - and support a grave injustice with the other.

Click Here for Larger Image

The decision made by the board of directors of the CBLDF, to protect Charles Brownstein when it was believed no charges would be brought against him, was ill-fated from the beginning. Because of it, an innocent woman was compromised and a stain has been cast on this much revered organization of the comics industry. An innocent woman has been besmirched in the comics media because she came forward in order to protect potential future victims of such assaults. No one, Chris, not even yourself, can guarantee that the next time Charles Brownstein drinks one too many beers, the results of his behavior will not be far more tragic. No one should be expected to give such a guarantee when the accused himself refuses to face what he's done forthrightly - and in turn, accuses his victim of lying in order to conceal the truth about it.

In an update to his article at TCJ, Michael Dean reports that "Taki Soma has re-contacted police and, with the help of Ken Lillie-Paetz, is looking into the possibility of re-opening the investigation into Brownstein's alleged 'sexual imposition.'" Knowing you understand the sensitivity of such a situation, it should be clear to you that Taki Soma's silence in the matter, since the CBLDF decision to maintain Brownstein's position, casts an ominous cloud over the expected legal struggle the CBLDF must wage for Lost Girls. Knowing also what's at stake, I'm certain you realize that the controversy over the CBLDF supporting an accused sexual predator will not help the organization on the road ahead, in its crucial hour.

The dire concern with the way the incident was handled rests within the statement Charles Brownstein gave to the investigative team hired by the CBLDF and to the comics media outlets. Believing, as the police report had indicated, that no witnesses came forward to support Taki's claims of sexual assault, Charles testified to a dilluted version of the incident, implicating Taki with having lied about the extent of his alleged crime. The investigative team brushed off witnesses' testimony they received of Brownstein's behavior, believing no legal charges would be brought against him. Imagine, Chris, the doubt this will cast on the integrity of the CBLDF, when the truth of these events becomes known. Imagine all this coming about, coinciding with what's expected to be a highly publicized legal struggle, awaiting the CBLDF with Lost Girls.

I know it is not an easy decision you face. You're a man who wields considerable power as publisher of Top Shelf Productions and President of the CBLDF. With great power, however, comes great responsibility. Your responsibility to the comics industry which you represent, demands you clean this stain away. It demands you clean away the stain which has blemished the pages of the CBLDF and threatens the demise of everything you've worked for at Top Shelf. It's not only, however, for the sake of the comics industry, Chris; not only for the sake of the fair legal representation which Lost Girls deserves from the CBLDF; not only for the sake of the survival of Top Shelf Productions - and not only for the sake of Taki Soma, the woman of valor who suffers the injustice.

But for the sake of freedom, truth and justice, Chris - which the CBLDF and yourself stand for.

Upon Further Consideration...

michael@michaelnetzer.com (Michael Netzer) — Mon, 05 Jun 2006 18:48:00 +0000

I've received several correspondences from industry professionals, publishers and journalists, advising me that the artwork representing the Taki Soma - Charles Brownstein incident is gravely offensive and should be removed from the site. Some of the correspondenses developed into lengthy discussions concerning the issues represented and material from them compiled into the To the Comics Jounalists... entry. The controvercial artwork has now been replaced, as reported in Changing Times.

I would only hope the CBLDF Board of Directors, headed by Chris Staros, will ponder the reason for the production of the disturbing art and consider taking necessary steps to reversing the unfortunate conditions which led to its creation.

Click Here for Larger Image

Changing Tides

michael@michaelnetzer.com (Michael Netzer) — Wed, 07 Jun 2006 02:32:00 +0000

Guy LeCharles Gonzalez, senior comics editor at Pop Culture Shock / Buzzscope, released a statement yesterday recounting the events surrounding the story by Ronee Garcia Bourgeois which sparked the Taki Soma- Charles Brownstein controversy. Mr. Gonzales defends Ms. Bourgeois' reporting of the incident and points to the difficulty Taki Soma faces in resolving the issue - and the ongoing police investigation. This statement is the most thorough source of information on the story available. Highly recommended, read it here.

Graeme McMillan, Fanboy Rampage founder who recently joined The Great Curve, which now resides at Newsarama, has commented on the statement. His blog entry can be read here. He also mentions the "somewhat unconstructive" commentary on the story at Rabble-Rouser. It's not clear, however, to what degree of being "unconstructive" he alludes to with the term "somewhat".

For those who understand the significance of Mr. Gonzalez' statement and remember Mr. McMillan's magnetic appeal with comics fandom, both these occurrences are a good indication that the tides are beginning to change and a more balanced coverage of the story is now more likely to find its way into the industry press.

This is also an indication that the conditions which brought about the production of the disturbing art depicting the incident, are also changing. In the interest of a more appropriate representation of Taki Soma, a new illustration has been produced to replace the former. The entry brandishing the censored version has also been updated.

Click Here for Larger Image

If Cliff Biggers can do it....

michael@michaelnetzer.com (Michael Netzer) — Mon, 05 Jun 2006 19:49:00 +0000

Cliff Biggers is nothing if not a splendid inspiration. From his biography at Comic Shop News:

Cliff Biggers has been an avid comics fan since 1959, when his parents bribed him with a stack of comics in order to convince him that a tonsillectomy wouldn't necessarily be a Bad Thing (it was, but the comics were still pretty nifty). In the 1960s and 1970s, he was involved with a number of comic book and science fiction fanzines; from 1975 to 1979, he and Susan, his wife, co-published an award-winning fanzine, Future Retrospective. In 1978, he took charge of the comics section of Dr. No's, which he and Ward Batty acquired in 1981. In 1985, he began producing a store newsletter that eventually paved the way for his and Ward's launch of Comic Shop News in 1987. Cliff did some comics work for Boffo Laffs, co-created the comic After Apocalypse with Mark Bagley, and co-created, with Brett Brooks and Dave Johnson, "The Earth Boys," an offbeat adventure series that appeared in Dark Horse Presents. He also writes for The Comics Buyer's Guide. In his spare time, he teaches high school, hoping to turn the youth of today into the comics fans of tomorrow.

His reviews and commentary also appear regularly at Newsarama.

I've known Cliff peripherally since the comics convention days of the mid 1970's. I've also had occasion to engage in some discussions with him on the web (forums, newsgroups, etc...) over the last 10 or so years. Though our paths have been elusive of late, my memories of every encounter with him left me with a sense of grace. Cliff is thoughtful, insightful warm and respectful. In truth, while there have been times when most of the comics community displayed an estrangement at my nearby presence, this was never the case with Cliff Biggers. He transcends the industry small talk and relates to people and issues individually - based on his own personal encounter - and not the community buzz syndrome which appears to affect so many. This grace he bestows on his environment, I hold to his evident virtues.

Cliff also maintains a personal blog, Not Much'a Nothin' (presently sporting a wonderful and sentimental item about window exposure in the modern home). I discovered it recently, noticing he'd written an entry titled It's a Big World After All... commenting on a Flaming Sword item about Neal Adams' science project . Well recommended reading, as is his entire blog, due to the insight felt in everything he touches. While few in the comics give serious consideration to Neal's science work, Cliff weighs in with his impression without qualifying an acceptance or rejection of it. He simply comments on how such work appears to be affecting the presentation of modern science theory. By simply giving it a valid place amongst other ideas, Cliff moves far ahead of many who reject it flippantly because it rubs the grain of convention.

Cliff Bigger's blog profile, however, is the major thought provoker there:

I discovered comics when I was 4; discovered the Beatles when I was 10; discovered fanzines when I was 12; met Susan when I was 15; got married when I was 17; began teaching when I was 21; died when I was 46 (but I got better!).

While the choppy pacing and lead-in to having died at 46 resonates of the type of profile humor that's very common on the web, it didn't seem appropriate for the more level-spirited Cliff whom I'd come to know. Cliff is certainly not lacking of a sense of humor, but rather simply possessing a more intellectual ability in expressing it. The direct shock value writing style in this profile doesn't match any other writings of his. This little issue nudged at me persistently during my recent visits to his blog.

So, while skimming the archives today (and enjoying every moment of it) I came upon an entry, I Know What It's Like to Be Dead... Yes, of course, I soon realized the reason for my previous perplexity. Cliff wouldn't lightly jest about something as serious as having died. We now learn that he had suffered a heart attack six years ago and in reality, clinically departed from amongst us for as long as Seven entire minutes, at least...

...And then Cliff Biggers RETURNED TO LIFE!

Yes, dear readers, our very own Comic Shop News messenger extraordinaire is a resurrected man of wonder! No less, perhaps than the Man of Steel himself at the hands of DC marketing shenanigans, or Ra's Al-Ghul through his legendary Lazarus Pit. Everything now falls into place and this long overdue item, six years in the waiting, can now brandish the title above and tell this remarkable story.

You are indeed a big inspiration, Cliff. Your next post In My Time of Dying... left no doubt as to the effect this experience has on you and how it alleviates any concerns you have about death. It's the way we should all live our lives, actually, if we're to live fully. As if we have no concern or thought of death awaiting us at any time around the corner.

So, when the wiseguys and scoffers chuckle in ridicule at my slowly-materializing ambition to raise an army through a world-wide-media-socio-political-movement, with which to battle the Tyrants of Faith and Oppression... and when they snicker at my claim that I'll give myself in to a public execution at the hands of the Pope himself - and when they squirm in disbelief at my knowledge that I'll survive it by returning to life after 3 days... well, when the scoffers scoff, I can now be on even more certain footing with my answer to them:

If Cliff Biggers can do it....

It's nicer than ever to have you with us, Cliff - splendors of gratitude for the devotion and inspiration.